Blow-Up: Antonioni's Classic Film and Photography

Hatje Cantz

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Blow-Up
Antonioni's Classic Film and Photography

Edited by Walter Moser, Klaus Albrecht Schröder, Texts by Roland Fischer-Briand, Philippe Garner, Anna Hanreich, Gabriele Jutz, Astrid Mahler, Walter Moser, Thomas Seelig, graphic design by Manuel Radde
English
2014. 280 pp., 1020 ills.
23.10 x 28.90 cm
softcover, with magnifying sheet

ISBN 978-3-7757-3737-1

Blow Up: a multifaceted commentary on the world in media

The voyeurism of the camera: Vanessa Redgrave, Veruschka, and Jane Birkin in Swinging London

Blow Up, the 1966 cult film, can also be regarded as an excursion in photography. On a futile search for evidence of a crime he thought he has seen, Thomas, a fashion photographer, enlarges his pictures, pushing the envelope of the medium’s boundaries. Michelangelo Antonioni’s milestone in film history revolves around the issue of how much truth exists in perception, inquires into the ways that media reproductions can be manipulated.

This publication examines Blow Up from a photographic perspective, investigating in detail the photographic and art-historical stances presented in the film as well as the genres is represents. The stylistic devices discussed range from social reportage, fashion photography, and Pop Art to abstract photography—and how, incidentally, Antonioni discovers soft focus as an artistic device.

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